MFA Thesis / past / FISHER LANDAU / 04.16 NEW YORK

Mike Hewson: Grant Houses - 38-18 31st St, Long Island City, NY

Grant Houses 2016

6' x 15'
Oil on canvas, framing timber
38-18 31st St, Long Island City, NY

Mike Hewson: (Installation View) - 38-18 31st St, Long Island City, NY

(Installation View) 2016

6' x 15'
Oil on canvas, framing timber
38-18 31st St, Long Island City, NY

Mike Hewson: (Installation View) - 38-18 31st St, Long Island City, NY

(Installation View) 2016

6' x 15'
Oil on canvas, framing timber
38-18 31st St, Long Island City, NY

Mike Hewson: (Installation View, painting behind fence) - Entrance to Fisher Landau Centre for Art, 38-27 30th St, Long Island City, NY

(Installation View, painting behind fence) 2016

6' x 15'
Oil on canvas, framing timber
Entrance to Fisher Landau Centre for Art, 38-27 30th St, Long Island City, NY

Mike Hewson: THE GIANT BRICK PAINTING OUTSIDE ON THE ABANDONED BUILDING IS TITLED "GRANT HOUSES" - Reception, Fisher Landau Centre for Art

THE GIANT BRICK PAINTING OUTSIDE ON THE ABANDONED BUILDING IS TITLED "GRANT HOUSES" 2016

9" x 6"
Oil on canvas
Reception, Fisher Landau Centre for Art

Mike Hewson: Busy Knowledge Economy Architecture - 1st Floor, Fisher Landau Centre for Art

Busy Knowledge Economy Architecture 2016

66" x 40" x 81"
Powered air conditioning units, plexiglass, found architectural planning model, wood, foam, book
1st Floor, Fisher Landau Centre for Art

Mike Hewson: (Installation View) - 1st Floor, Fisher Landau Centre for Art

(Installation View) 2016

66" x 40" x 81"
Powered air conditioning units, plexiglass, found architectural planning model, wood, foam, book
1st Floor, Fisher Landau Centre for Art

Mike Hewson: Jerome L. Greene Science Centre - Facade Detail I & II (rear left and right) - 1st Floor, Fisher Landau Centre for Art

Jerome L. Greene Science Centre - Facade Detail I & II (rear left and right) 2016

126" x 204", 126" x 90"
Digital print on adhesive vinyl
1st Floor, Fisher Landau Centre for Art

Mike Hewson: (Installation View) - 1st Floor, Fisher Landau Centre for Art

(Installation View) 2016

66" x 40" x 81"
Powered air conditioning units, plexiglass, found architectural planning model, wood, foam, book
1st Floor, Fisher Landau Centre for Art

Mike Hewson: (Installation View) - Fisher Landau Centre for 1st Floor, Fisher Landau Centre for Art

(Installation View) 2016

66" x 40" x 81"
Powered air conditioning units, plexiglass, found architectural planning model, wood, foam, book
Fisher Landau Centre for 1st Floor, Fisher Landau Centre for Art

Mike Hewson: (Installation View) - 1st Floor, Fisher Landau Centre for Art

(Installation View) 2016

66" x 40" x 81"
Powered air conditioning units, plexiglass, found architectural planning model, wood, foam, book
1st Floor, Fisher Landau Centre for Art

Mike Hewson: (Installation View) - 1st Floor, Fisher Landau Centre for Art

(Installation View) 2016

Dimensions vary
Mixed media
1st Floor, Fisher Landau Centre for Art

Info

COLUMBIA UNIVERSITY MFA THESIS EXHIBITION 2016

Curated by Regine Basha

Jenny Cho, Serra Victoria Bothwell Fels, Devra Fox, ektor garcia, Cy Gavin, Ilana Yacine Harris-Babou, Mike Hewson, Brooke Holloway, Cary Hulbert, Bryan Jabs, Coby Kennedy, Tali Keren, Rola Khayyat, Jonah King, Emily Kloppenburg, Pablo Montealegre, Filip Lav, Justin Dale Olerud, Meredith Sands, Michael Stablein, Jr., Rachel Stern, Alex Strada, Victoria-Idongesit Udondian, Cameron Welch, Jiwoon Yoon

April 25- May 16, 2016
Gallery Hours: Thursday - Monday, 12-5 pm

Fisher Landau Center for Art
38-27 30th Street, Long Island City, New York

___________________________________________

In 2013, in the United States, the median-income white household’s net worth was thirteen times that of the median-income black household. In 2014, the world’s eightyfive richest individuals held as much wealth as the world’s poorest 3.5 billion. In 2015, 88,000 households applied for the chance to live in fifty-five below market-rate apartments, accessible through a “poor door” on New York City’s Upper West Side. What is inequality? Typically, inequality is defined by a combination of economic measures referring to income and wealth. Entire populations, in the language of statistics, are measured and managed according to their place on the inequality spectrum: patronage for the 1%, morality for the ambiguous “middle class,” and austerity for the rest. This economic inequality is, however, inseparable from social disparities of other kinds—particularly in the provision of housing. More than just a building type or a market sector, housing is a primary architectural act— where architecture is understood as that which makes real estate real. It begins when a line is drawn that separates inside from outside, and ultimately, one house from another. The relation that results under the rule of real estate development is—by its very structure—unequal. This is the art of inequality. Its geographies are local and global. Its histories are distant and present. Its design is ongoing. Its future is anything but certain

The Art of Inequality: Architecture, Housing, and Real Estate. A Provisional Report, Buell Centre, 2015

http://www.flcart.org/onview/

Supported by Creative New Zealand

MFA Thesis 2016 Catalogue